Podcast and Chill with MacG

00:01 To advertise, email, podcast at thisismaggie.com. Release yourself from order and logic and enter a new place. It's not work. It's not home. Here, no maps have been drawn. No books have been written. Nothing is certain. Everything is possible. Welcome to Podcast and Chill with Maggi. 00:29 I'm assuming this doesn't end well. 00:55 I'm not. Oh, great. 01:23 Relaxed. They didn't jump in last week. After that episode, how was the response from your side? 01:32 Yes, but I believe that I was able to tell you that I was able to tell you that I was able to tell you that I was able to tell you that I was able to tell you that I was able to tell you that. 01:47 I don't know what to do. I don't know what to do. I don't know what to do. I don't know what to do. I don't know what to do. I don't know what to do. I don't know what to do. I don't know what to do. I don't know what to do. 02:05 I'm going to tell you what's going on. I'm going to tell you what's going on. What's going on? I'm going to tell you what's going on. 02:12 I'm going to tell you what's going on. 02:13 I'm going to tell you what's going on. I'm going to tell you what's going on. I'm going to tell you what's going on. 02:19 I'm going to tell you what's going on. I'm going to tell you what's going on. 02:24 I'm from your side, because I'm emotional. 02:29 I'm emotional, but I'm a sensitive thug. I cry. 02:32 No, but you have to, but I don't want to be able to feel it. 02:35 I don't want to be able to feel it. Exactly. Anything that I don't talk about that affect me. Okay. So if this is a failure, where you least expect them? 02:52 I'm only human. 02:55 He's sensitive. He's sensitive. He's sensitive. 02:58 He's sensitive. He's sensitive. He's sensitive. He's sensitive. He's sensitive. He's sensitive. He's sensitive. 03:18 Okay. Okay. 03:29 He's a good man. He's a good man. 03:31 He's a good man. 03:32 He's a good man. He's a good man. He's a good man. He's a good man. He's a good man. He's a good man. He's a good man. That's all. He's a good man. He's a good man. He's a good man. He's a good man. He's a good man. He's a good man. 03:55 So you guys think... I don't know what to do with like... 04:00 I don't know what to do with anything or medium. 04:06 Okay. 04:07 I don't know what to do with it. 04:10 Instead, I don't know what to do with it. I don't know what to do with it. 04:15 For any help or Kailenyo. Ah, not to say to Zango Mazziapeta, but I don't know what to do. I don't know what to do. I don't know what to do. 04:24 I don't know what to do. I don't know what to do. I don't know what to do. I don't know what to do. 04:28 I don't know what to do. I don't know what to do. I don't know what to do. 04:34 I don't know what to do. Hey, Shabazz, I still want closure. 04:40 Okay. 04:41 Make sense. 04:52 I don't know what to do. I don't know what to do. I don't know what to do. I don't know what to do. 05:00 I don't know what to do. I don't know what to do. I don't know what to do. I don't know what to do. I don't know what to do. I don't know what to do. I don't know what to do. I don't know what to do. I don't know what to do. I don't know what to do. 05:22 I don't know what to do. I don't know what to do. I don't know what to do. 05:25 I don't know what to do. I don't know what to do. I don't know what to do. I don't know what to do. I don't know what to do. 05:33 I don't know what to do. I don't know what to do. I don't know what to do. I don't know what to do. I don't know what to do. I don't know what to do. I don't know what to do. 05:51 Sometimes. 05:51 Yeah. 05:52 I don't know what to do. Oh, that's it. Oh, that's it. 05:55 Like that guy's style. 05:59 You're spicy. Shout out, Shabba. Yeah. Shout out. What's your guitar? What's your guitar? 06:04 What's your guitar? What's your guitar? What's your guitar? What's your guitar? 06:09 What's your guitar? What's your guitar? 06:11 What's your guitar? 06:17 I'm 26 years, guys. In 2000? Yes. 06:19 In 2000, 26 years. 06:20 What about... 06:34 In the early 90s? In the early 93, 92. 06:37 In the early 91? In the early 91, I was born in the early 90s. I was born in the early 90s. I was born in the early 90s. I was born in the early 90s. I was born in the early 90s. I was born in the early 90s. I was born in the early 90s. 06:59 What are you doing? What are you doing? What are you doing? What are you doing? What are you doing? What are you doing? What are you doing? 07:05 What are you doing? What are you doing? 07:09 What are you doing? What are you doing? What are you doing? 07:12 What are you doing? What are you doing? What are you doing? What are you doing? 07:19 What are you doing? What are you doing? 07:28 Okay. 07:29 I can't see TV. I can't see TV. I can't see TV. I can't see TV. I can't see TV. 07:34 I can't see TV. I can't see TV. I can't see TV. 07:40 I can't see TV. I can't see TV. I can't see TV. 07:50 What are you doing? I don't care. I don't care. I don't care. I don't care. I don't care. I don't care. I don't care. I don't care. 08:13 We've got food in India. What's up, man? 08:16 What's up, man? 08:17 I'm a wishy-wishy. 08:21 That's what I'm saying. I don't know what I'm saying. I don't know what I'm saying. I don't know what I'm saying. I don't know what I'm saying. I don't know what I'm saying. I don't know what I'm saying. 08:33 I don't know what I'm saying. I don't know what I'm saying. 08:37 I don't know what I'm saying. I don't know what I'm saying. 08:43 You don't want to get into it. 08:44 You don't want to get into it. You don't want to get into it. You don't want to get into it. You don't want to get into it. You don't want to get into it. You don't want to get into it. You don't want to get into it. You don't want to get into it. You don't want to get into it. You don't want to get into it. You don't want to get into it. 09:00 You don't want to get into it. 09:16 I'm going to pose like I'm bad, John. That is Daniel French. 09:23 What's up? I'm going to give you a picture of how many people do you think? How many people do you think? 09:31 Seven, yes. Seven? How many people do you think about it? I don't know. I don't know how many people do you think about it. I don't know how many people do you think about it. 09:39 I don't know how many people do you think about it. I don't know how many people do you think about it. 09:44 I don't know how many people do you think about it. I don't know how many people do you think about it. 09:49 Do you think about it? 09:50 Which year was it? 2012. What year? 2016. 09:59 I don't know how to do it. I don't know how to do it. I don't know how to do it. 10:02 I don't know how to do it. I don't know how to do it. I don't know how to do it. I don't know how to do it. I don't know how to do it. I don't know how to do it. I don't know how to do it. 10:23 Yes. Yes. Yes. Yes. Yes. Yes. Yes. 10:53 He said to me, he said to me, he said to me, he said to me, he said to me, he said to me, he said to me, he said to me, he said to me, he said to me, he said to me, he said to me, he said to me, he said to me, he said to me, he said to me, he said to me, he said to me, he said to me, he said to me, he said to me, he said to me, he said to me, he said to me, he said to me, he said to me, he said to me, he said to me, he said to me, he said to me, he said to me, he said to me, he said to me, he said to me, he said to me, he said to me, he said to me, he said to me, he said to me, he said to me, he said to me, he said to me, he said to me, he said to me, he said to me 11:23 By then? 11:24 Yeah. 11:25 Time to be a gangster. Time to 15. 11:33 I don't know, but I don't know. I don't know. 11:35 I don't know. 11:36 I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. 11:54 Chup, chup. Chup, chup. Chup, chup. Chup, chup. Chup, chup. Chup, chup. Chup, chup. Chup, chup. Chup, chup. Chup, chup. Chup, chup. Chup, chup. Chup, chup. Chup, chup. Chup, chup. Chup, chup. Chup, chup. Chup, chup. Chup, chup. Chup, chup. Chup, chup. Chup, chup. Chup, chup. Chup, chup. Chup, chup. Chup, chup. Chup, chup. Chup, chup. Chup, chup. Chup, chup. Chup, chup. Chup, chup. Chup, chup. Chup, chup. Chup, chup. Chup, chup. Chup, chup. Chup 12:24 I'm going to taste it. I'm going to taste it. I'm going to taste it. 12:27 I'm going to taste it first, my friend. I'm going to taste it. I'm going to taste it. I'm going to taste it. I'm going to taste it. I'm going to taste it. 12:40 Since I was a kid, I was a kid. I was a kid. I was a kid. I was a kid. I was a kid. I was a kid. I was a kid. I was a kid. I was a kid. 12:48 I was a kid. 12:49 I was a kid. I was a kid. I was a kid. I was a kid. I was a kid. 13:08 But we have a cigarette, we have a fork. So we have a cheese boy. But what do you say, it's a staff. So we have a staff, we have a staff. 13:20 I want a visit, I want a visit to China. Hey Chow, where are you from? 13:25 Where are you from? Where are you from? Where are you from? Where are you from? 13:30 Like Archie. Yeah, seven. 13:33 That's why it's like five pounds. Yeah. Yeah, that's it. I'm craving A. I'm craving A. I'm craving A. I'm craving A. I'm craving A. I'm craving A. I'm craving A. I'm craving A. I'm craving A. I'm craving A. I'm craving A. I'm craving A. I'm craving A. I'm craving A. I'm craving A. I'm craving A. 14:00 No, we don't want to talk about it. We don't want to talk about it. We don't want to talk about it. We don't want to talk about it. We don't want to talk about it. We don't want to talk about it. We don't want to talk about it. We don't want to talk about it. We don't want to talk about it. We don't want to talk about it. We don't want to talk about it. 14:22 They don't have to worry about it. They don't have to worry about it. They don't have to worry about it. They don't have to worry about it. They don't have to worry about it. 14:30 They don't have to worry about it. They don't have to worry about it. They don't have to worry about it. 14:35 They don't have to worry about it. They don't have to worry about it. They don't have to worry about it. 14:49 I'm going to tell you something. I'm going to tell you something. I'm going to tell you something. I'm going to tell you something. I'm going to tell you something. I'm going to tell you something. I'm going to tell you something. 15:02 How many years? Six months or one year, we had to pay for it. 15:05 We had to pay for it. We had to pay for it. We had to pay for it. We had to pay for it. We had to pay for it. We had to pay for it. We had to pay for it. We had to pay for it. We had to pay for it. We had to pay for it. We had to pay for it. We had to pay for it. We had to pay for it. 15:19 We had to pay for it. We had to pay for it. 15:33 Two-fifths. Two-fifths. So, when I was lazy, I was like, five years ago, I didn't have to do it. 15:42 I didn't have to do it. I didn't have to do it anymore. I didn't have to do it anymore. I didn't have to do it anymore. I didn't have to do it anymore. I didn't have to do it anymore. I didn't have to do it anymore. I didn't have to do it anymore. 15:53 I didn't have to do it anymore. I didn't have to do it anymore. I didn't have to do it anymore. 16:02 Yes, I remember the story of the Sun City. I remember the story of the Sun City. I remember the story of the Sun City. I remember the story of the Sun City. I remember the story of the Sun City. I remember the story of the Sun City. I remember the story of the Sun City. I remember the story of the Sun City. I remember the story of the Sun City. I remember the story of the Sun City. 16:30 When you say that, when you say that, when you say that, when you say that, when you say that, when you say that, when you say that, when you say that, when you say that, when you say that, when you say that, when you say that, when you say that, when you say that, when you say that, when you say that, when you say that, when you say that, when you say that, when you say that, when you say that, when you say that, when you say that, when you say that, when you say that, when you say that, when you say that, when you say that, when you say that, when you say that, when you say that, when you say that, So basically, Uti, it was the inspiration from what you used to do. 17:02 Yeah, because I had to say things that I had to do, because I had to do it because I had to do it because I had to do it because I had to do it. 17:12 I had to do it because I had to do it because I had to do it. I had to do it because I had to do it because I had to do it. 17:20 I had to do it because I had to do it because I had to do it. 17:28 That's what I'm talking about. 17:31 I'm talking about the piano. 17:33 I'm talking about the hip hop. I'm talking about the hip hop. 17:35 I'm talking about the hip hop. 17:36 I'm talking about the hip hop. I'm talking about the hip hop. I'm talking about the hip hop. I'm talking about the hip hop. I'm talking about the hip hop. 17:58 You're going to take your ass. 18:00 I'm telling you now. I'm going to check on this track. I'm going to keep my Nikes in check. Some people wonder why I'm going to keep my Nikes in check. Some people wonder why I'm going to keep my Nikes in check. Some people wonder why I'm going to keep my Nikes in check. 18:16 Hey, I know your cheese. 18:18 But let's try something now. Let's see. Yeah. 18:21 So you're going to eat it? Yeah. So you're going to eat it? Yes. 18:24 You're going to eat it. You're going to eat it. You're going to eat it. You're going to eat it. You're going to eat it. You're going to eat it. Yeah. 18:36 When I was a kid, I was a kid. I was a kid. I was a kid. I was a kid. I was a kid. I was a kid. I was a kid. I was a kid. I was a kid. I was a kid. I was a kid. I was a kid. I was a kid. I was a kid. I was a kid. I was a kid. I was a kid. I was a kid. I was a kid. I was a kid. I was a kid. 19:05 Full-time. Full-time. If you don't have a phone call, you'll have a phone call. If you don't have a phone call, you'll have a phone call. If you don't have a phone call, you'll have a phone call. If you don't have a phone call, you'll have a phone call. If you don't have a phone call, you'll have a phone call. If you don't have a phone call, you'll have a phone call. You'll have a phone call. If you don't have a phone call, you'll have a phone call. 19:33 You can't do it. You can't do it. You can't do it. You can't do it. You can't do it. You can't do it. I can't do it. I can't do it. I can't do it. I can't do it. I can't do it. I can't do it. I can't do it. I can't do it. I can't do it. I can't do it. I can't do it. 19:48 I can't do it. I can't do it. 19:58 No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no. 20:19 No, it's not the connection. It's not the connection. It's not the connection. It's not the connection. It's not the connection. Manji, it's not the internet. 20:40 You can't keep the internet, but you can't keep the internet. You can't keep the internet. You can't keep the internet. You can't keep the internet. You can't keep the internet. You can't keep the internet. You can't keep the internet. You can't keep the internet. You can keep the internet. 21:02 I don't know why I'm doing TikTok. I'm doing TikTok because I'm doing TikTok and they're like, hey, I'm going to push it. So I'm going to push the music through the radio, the music video, the TV. Hey, Joe, go there and watch the music video. Quality and the viewers. And the quality and the viewers. 21:25 Okay, Sharpe, you can tell me what's going on, right? I don't know what's going on. I don't know what's going on. I don't know what's going on. I don't know what's going on. I don't know what's going on. I don't know what's going on. I don't know what's going on. I don't know what's going on. 21:36 I don't know what's going on. I don't know what's going on. I don't know what's going on. 21:40 I don't know what's going on. I don't know what's going on. 21:43 I don't know what's going on. I don't know what's going on. I don't know what's going on. 21:47 I don't know what's going on. I don't know what's going on. 21:49 I don't know what's going on. 21:56 What happened? What happened? I didn't know what happened. 22:01 No, I didn't know what happened. I didn't know what happened. I didn't know what happened. I didn't know what happened. I didn't know what happened. I didn't know what happened. 22:11 I didn't know what happened. 22:20 I don't know what I'm doing. I'm doing a piano. I'm doing a piano. I'm doing a piano. I'm doing a piano. I'm doing a piano. 22:27 I'm doing a piano. I'm doing a piano. I'm doing a piano. I'm doing a piano. I'm doing a piano. 22:32 I'm doing a piano. I'm doing a piano. 22:40 That's what I'm talking about. I don't know. I don't know. 22:43 I don't know. I don't know. I don't know. 22:44 I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. 23:08 Ah, but when you come to the next Saturday, you come all the time. The piano, you come all the time. You come all the time. You come all the time. 23:14 You come all the time. You come all the time. You come all the time. You come all the time. You come all the time. 23:20 You come all the time. You come all the time. You come all the time. 23:22 You come all the time. You come all the time. You come all the time. You come all the time. You come all the time. 23:27 You come all the time. You come all the time. You come all the time. You come all the time. 23:35 It's the end of July. You can imagine, I was in the comments section, my parents told me that I was 20 years old. If you want to get married, you can get married to 20 years old. 23:49 That's where I was. That's where I was. 23:51 I wish I could get married. Why are my married? 24:06 Mwaporoza mfeti uwe wazi straten nukulu nukulu wa munu. Apre tu ina liya. 24:09 Ano, untuwe mbiye mwaporozi marabeng, funu kwa azutu. 24:12 Uwe, na matuna, una trimantange kone? Ipi hitong kona manja yiku. There's a lot of people who don't care about it. They don't care about it. They don't care about it. They don't care about it. They don't care about it. They don't care about it. They don't care about it. 24:27 They don't care about it. They don't care about it. They don't care about it. They don't care about it. They don't care about it. 24:46 If you don't know what to do, you're going to have to do it. If you don't know what to do, you're going to have to do it. If you don't know what to do, you're going to have to do it. If you don't know what to do, you're going to have to do it. You're going to have to do it. You're going to have to do it. You're going to have to do it. You're going to have to do it. You're going to have to do it. 25:10 What do you expect? What do you expect? What do you expect? I don't know. I don't know. I don't know. 25:14 I don't know. I don't know. 25:16 I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. 25:31 If you don't have an impact, you don't have an impact. Do you understand? If you don't have an impact, you don't have an impact. If you don't have an impact, you don't have an impact. If you don't have an impact, you don't have an impact. If you don't have an impact, you don't have an impact. If you don't have an impact, you don't have an impact. If you don't have an impact, you don't have an impact. 25:55 Because I'm a soccer player who's going to buy a paper. I'm going to play something. I'm going to play a podcast. I'm going to play a podcast. I'm going to play a podcast. I'm going to play a podcast. I'm going to play a podcast. 26:10 Why? 26:10 Why? Why? Why? Why? Why? 26:30 I'm going to talk to you. I'm going to talk to you. I'm going to talk to you. I'm going to talk to you about the podcast. I'm going to talk to you about the podcast. I'm going to talk to you about the podcast. I'm going to talk to you about the podcast. I'm going to talk to you about the podcast. I'm going to talk to you about the podcast. I'm going to talk to you about the podcast. I'm going to talk to you about the podcast. 26:59 If you want 4-5, that's why I prioritized the 4-5 card. I'm going to pause the card because of the 4-5. So I'm going to pause. 27:06 I'm going to pause. 27:07 No, I'm going to pause. I'm going to pause. I'm going to pause. I'm going to pause. I'm going to pause. I'm going to pause. 27:13 I'm going to pause. I'm going to pause. I'm going to pause. I'm going to pause. I'm going to pause. I'm going to pause. 27:17 I'm going to pause. I'm going to pause. I'm going to pause. 27:20 I'm going to pause. I'm going to pause. 27:21 I'm going to pause. I'm going to pause. 27:22 I'm going to pause. I'm going to pause. I'm going to pause. I'm going to pause. I'm going to pause. 27:29 One pose. 27:33 What are you talking about? 27:35 What are you talking about? What are you talking about? 27:38 What are you talking about? 27:40 What are you talking about? What are you talking about? What are you talking about? What are you talking about? What are you talking about? What are you talking about? What are you talking about? 27:51 What are you talking about? What are you talking about? What are you talking about? What are you talking about? What are you talking about? 28:02 I don't know what to do. I'm sorry. I'm sorry. I'm sorry. I'm sorry. But not last night. I'm sorry. I'm sorry. 28:12 When I was 24-7, I was going to TikTok live. Okay. I was going to talk to you about the food. 28:16 I was going to talk to you about the food. 28:19 I was going to talk to you about the food. 28:24 I was going to talk to you about the food. I was going to talk to you about the food. I was going to talk to you about the food. I was going to talk to you about the food. 28:41 You've made it, Matala. On the plot. On the plot. On the plot. On the plot. 28:47 On the plot. 28:48 On the plot. On the plot. On the plot. On the plot. 28:52 On the plot. On the plot. 29:05 I don't want to say that. I don't want to say that. I don't want to say that. I don't want to say that. I don't want to say that. I don't want to say that. I don't want to say that. 29:19 I don't want to say that. I don't want to say that. 29:22 I don't want to say that. I don't want to say that. 29:32 That's the end of the day. 29:33 That's the end of the day. Hey, how are you doing? How are you doing? How are you doing? 29:37 How are you doing? 29:38 How are you doing? How are you doing? 29:41 How are you doing? How are you doing? How are you doing? How are you doing? How are you doing? How are you doing? How are you doing? How are you doing? 29:49 How are you doing? How are you doing? How are you doing? How are you doing? 29:58 You're in Milan now? Yes, man. 30:05 It's the last number. The last number, Milan? 30:09 Yes. The last number is Frank Poticelli. 30:11 Yes, sir. The last number is Frank Poticelli. Yes, sir. The last number is Frank Poticelli. Yes, sir. The last number is Frank Poticelli. Yes, sir. The last number is Frank Poticelli. Yes, sir. 30:19 The last number is Frank Poticelli. 30:22 Yes, sir. The last number is Frank Poticelli. Yes, sir. The last number is Frank Poticelli. 30:32 Hey Jo, are you part of Cruelly in Italy? No, I'm not. 30:35 I'm trying to do it. I'm trying to do it. I'm trying to do it. 30:40 I'm trying to do it. I'm trying to do it. I'm trying to do it. 30:45 I'm trying to do it. 30:48 I'm trying to do it. I'm trying to do it. I'm trying to do it. 30:51 I'm trying to do it. I'm trying to do it. I'm trying to do it. I'm trying to do it. 31:02 Thank you, my kids. Let's go. Let's go. 31:04 Let's go. 31:07 Let's go. Let's go. Let's go. Let's go. 31:29 I'm interested in this strategy. 31:31 What are you going to say later? Maybe, or how do you speak Spanish? I'm going to talk to you later. 31:40 I'm going to talk to you later. 31:49 How are you talking about it? 31:51 How are you talking about it? 31:54 How are you talking about it? 32:08 I don't know, but I have a lot of money because of... That's Covid. Yeah, Covid. Because it's a trend in the country. Hi! How are you? 32:18 I'm here. I'm here. I'm here. I'm here. I'm here. Seriously? My cousin? 32:26 Yeah, I am sure. But school mille nama hot man silungi sila bo. Yes. Abo, abu, abu, abu, abu, abu, abu, abu, abu, abu, abu, abu, abu, abu, abu, abu. 32:43 Yes, I'm going to show you how to do it. I'm going to show you how to do it. I'm going to show you how to do it. I'm going to show you how to do it. I'm going to show you how to do it. I'm going to show you how to do it. I'm going to show you how to do it. I'm going to show you how to do it. I'm going to show you how to do it. I'm going to show you how to do it. 33:07 Yeah, yeah, yeah. Yeah, yeah. 33:10 Yeah, because I am in the original. Yeah. Yeah. 33:22 Hey! Hey! Hey! Hey! Hey! 33:39 That's why it's so important. That's why it's so important. Yeah, that's why it's so important. 33:44 Yeah, that's why it's so important. 33:47 It's so important, right? It's so important, right? 33:51 It's so important, right? It's important, right? Yeah, it's important. It's important. It's important. It's important. It's important. It's important. It's important. It's important. It's important. It's important. It's important. It's important. 34:08 We are going to wait for you live from that Samba line on Abotira 34:25 Yeah, I think it's a big difference. Because if you could check Samba Online, it's a remix. Okay. 34:35 Samba Online is a remix. The original Samba Online, you can keep the hundred percent. But if you look at it, you can invest by fifty percent. Oh yeah. Fair enough. 34:47 But the original, you still keep the handrail. 34:51 Makes sense. Yeah, only on the remix, we're back off. Then, Elayam, no him, no him, no him, only ringy. But are you... 34:56 I don't know, I don't know. 34:57 I don't know, I don't know. 35:00 I don't know. I don't know. 35:01 I don't know. I don't know. I don't know. I don't know. I don't know. 35:13 Yeah, I'll give you a little bit. 35:28 Because I'm an artist, I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm an artist I'm But today, we're going to be next. I'm going to be proud of you. 36:14 But I don't want to buy it. Because it's going to sell it. 36:17 It's going to be an industry. 36:20 Yes, brother. It's going to be good. 36:23 You want to buy it? Because it's going to be a pride. Why are you crazy? Why are you going to buy it? Why are you going to buy it? Why are you going to buy it? 36:31 I don't believe that one. I don't believe that one. Why are you going to buy it? 36:35 Why are you going to buy it? Why are you going to buy it? Why are you going to buy it? Why are you going to buy it? 36:44 I'll give you $3,000, $5,000. 36:45 One thing I want to say is that the price is really bad, but the price is really bad, but the price is really bad. The price is really bad, but the price is really bad. The price is really bad, but the price is really bad. Thank you so much. Sometimes you need to understand that with the music, it's really bad. 37:06 If you don't have any money, you'll have to pay for it. If you don't have any money, you'll have to pay for it. You'll have to pay for it. You'll have to pay for it. You'll have to pay for it. You'll have to pay for it. 37:24 Do you understand? No, it's incredible, son. 37:26 You can't do it. You can't do it. You can't do it. 37:29 You can't do it. You can't do it. You can't do it. You can't do it. 37:33 You can't do it. You can't do it. You can't do it. You can't do it. You can't do it. You can't do it. You can't do it. You can't do it. You can't do it. You can't do it. You can't do it. You can't do it. 37:54 I'm telling you, I'm telling you, I'm telling you, I'm telling you, I'm telling you, I'm telling you, I'm telling you, I'm telling you, I'm telling you, I'm telling you, I'm telling you, I'm telling you, I'm telling you, I'm telling you, I'm telling you, I'm telling you, I'm telling you, I'm telling you, I'm telling you, I'm telling you, I'm telling you, 38:11 You have the talent. You know how to move into the management. You know how to move into the management. You know how to move into the management. 38:21 You know how to move into the management. You know how to move into the management. 38:26 You got fired, I'm going to do the same thing. Yes, he's fired. He's not a poor man. He's not a poor man. He's not a poor man. But he's not a poor man. I'll make an example. I can do a live now. And say, hey, poor man, this, what, what, what, what. And still do a song on TikTok. But by hype, by HFL, long kick, without a poor man. I'm not saying he should disrespect the poor man or anything. No man is bigger than the king. No man is bigger than the king. No man is bigger than the king. No man is bigger than the king. No man is bigger than the king. 38:51 No man is bigger than the king. No man is bigger than the king. No man is bigger than the king. No man is bigger than the king. So, I'm a artist, I'm an artist, I'm an artist, I'm an artist, I'm an artist, I'm an artist, I'm an artist, I'm an artist, I'm an artist, I'm an artist, I'm an artist, I'm an artist, I'm an artist, I'm an artist, I'm an artist, I'm an artist, I'm an artist, I'm an artist, I'm an artist, I'm an artist, I'm an artist, I'm an artist, I'm an artist, I'm an artist, I'm an artist, I'm an artist, 39:26 Knock-out. The contractor is a buyer, this thing. Like no, no, I want to, I want to, I want to contract easy. I'm a produce. Okay. Because the producer, buyers go to key winner. 39:48 You are capable of making songs now on Kumoon. 39:52 But as a vocalist, I'm a vocalist. I'm a vocalist. I'm a vocalist. I'm a vocalist. 40:08 But, if you're an artist, you're a vocalist. I'm going to lose you. I'm going to lose you. I'm going to lose you. I'm going to lose you. 40:25 I'm sorry, Puri. I'm sorry, Puri. I'm sorry, Puri. I'm sorry, Puri. I'm sorry. 40:44 I'm a fan. I'm a fan. I'm a fan. 40:46 I'm a fan. I'm a fan. I'm a fan. I'm a fan. 41:01 Why are you crying? Why are you crying? Why are you crying? Why are you crying? Why are you crying? Why are you crying? Why are you crying? Why are you crying? Why are you crying? Why are you crying? Why are you crying? Why are you crying? Why are you crying? Why are you crying? Why are you crying? Why are you crying? Why are you crying? 41:20 Why are you crying? Why are you crying? 41:30 But do you think a person like Lime Craze would take an advice from you? 41:35 No, I'm asking you a question. No, I'm asking you a question. 41:38 No, I'm asking you a question. No, I'm asking you a question. No, I'm asking you a question. I'm asking you a question. I'm asking you a question. I'm asking you a question. I'm asking you a question. I'm asking you a question. I'm asking you a question. I'm asking you a question. I'm asking you a question. I'm asking you a question. I'm asking you a question. I'm asking you a question. I'm asking you a question. I'm asking you a question. 42:04 Where are we going? 42:05 Where are we going? Where are we going? 42:07 Where are we going? Where are we going? Where are we going? Where are we going? 42:13 That's what I'm talking about. I don't know what to do. I don't know what to do. I don't know what to do. 42:19 I don't know what to do. I don't know what to do. I don't know what to do. I don't know what to do. I don't know what to do. I don't know what to do. I don't know what to do. I don't know what to do. 42:30 I don't know what to do. 42:43 One last time I've seen the Royalty. 42:46 I've seen a lot of people. I've seen a lot of people. 42:51 I've seen a lot of people. I've seen a lot of people. I've seen a lot of people. I've seen a lot of people. 42:56 I've seen a lot of people. I've seen a lot of people. I've seen a lot of people. 43:00 I've seen a lot of people. I've seen a lot of people. I've seen a lot of people. 43:10 The question is, is the publisher or the publisher? 43:13 Yes. 43:32 It's Zambrae. 43:33 It's Zambrae. 43:34 It's Zambrae. It's Zambrae. It's Zambrae. It's Zambrae. It's Zambrae. It's Zambrae. It's Zambrae. It's Zambrae. Okay. 43:55 If you get a percentage, each and every artist is here. 43:59 You can see me, you can see me, you can see me, you can see me, you can see me, you can see me, you can see me. 44:08 No, Talos says break. So you're saying, as long as I like it, it's not going to work. Then ask yourself, I have a MT, but I'm not going to work. Okay, my friend, he's a record company. 44:24 He's a friend, so they own the song. Yeah, they own the song. Advance, I'll say advance. 44:38 Okay. But we fake him. Okay. 45:01 If you don't have a job, you'll have a job. If you don't have a job, you'll have a job. If you don't have a job, you'll have a job. If you don't have a job, you'll have a job. If you don't have a job, you'll have a job. 45:14 You'll have a job. If you don't have a job, you'll have a job. 45:25 But it doesn't mean... So, music, right? I think that's it. 45:28 Okay, in the sense, when an artist is represented, but when he is represented, he publishes a distributor. 45:49 No, Mamel. 45:51 So that, I want to tell you, if you want to do it, you want to do it? Yes. We want to do it. Okay. 46:00 I think I explained something about you. You want to do it? Okay. You want to do it? 46:06 It's Njoga Njoga. Yes. It's Njoga Njoga. It's Njoga Njoga. It's Njoga Njoga. It's Njoga Njoga. 46:12 It's Njoga Njoga. It's Njoga Njoga. 46:31 But when you hear the song, you hear the song. You hear the song, you hear the song. You hear the song, you hear the song. You hear the song, you hear the song. 46:38 You hear the song, you hear the song. 46:42 You hear the song, you hear the song. 46:44 You hear the song, you hear the song, you hear the song, you hear the song, you hear the song. 46:53 It might be true. It might be true. It might be true. It might be true. It might be true. It might be true. It might be true. 46:59 It might be true. It might be true. 47:23 The company sponsored the music video for $20,000. 47:25 I don't know how to do it, but I don't know how to do it. 47:29 I don't know how to do it. I don't know how to do it. Do you remember that the M.T.? There's a lot of drivers on the transitoral. There's a lot of people on the transitoral. There's a lot of people on the transitoral. There's a lot of people on the transitoral. There's a lot of people on the transitoral. 47:53 There's a lot of impact because we're going to have a lot of impact because we're going to have a lot of impact. We're going to have a lot of impact. 48:00 We're going to have a lot of impact. We're going to have a lot of impact. 48:04 We're going to have a lot of impact. We're going to have a lot of impact. We're going to have a lot of impact. We're going to have a lot of impact. We're going to have a lot of impact. We're going to have a lot of impact. 48:16 We're going to have a lot of impact. What do you mean? What do you mean? What do you mean? What do you mean? I don't know. I don't know. 48:24 I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. 48:28 I don't know. I don't know. I don't know. 48:41 Whatever, the four ways, the same thing. I've got H1. I've got H1 because I've got H1. I've got H1 because I've got H1. I've got H1 because I've got H1. I've got H1 because I've got H1 because I've got H1. I've got H1 because I've got H1 because I've got H1 because I've got H1 because I've got H1 because I've got H1 because I've got H1 because I've got H1 because I've got H1 because I've got H1 because I've got H1 because I've got H1 because I've got H1 because I've got H1 because I've got H1 because I've got H1 because I've got H1 because I've got H1 because I've got H1 because I've got H1 because I've got H1 because I've got H1 because I've got H1 because I've got H1 because I've got H1 because I've got H 48:59 I don't know. 49:01 I don't know. I don't know. 49:02 I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. Thank you. Thank you. Thank you. Thank you. Thank you. 49:09 Thank you. Thank you. 49:19 What are you doing? No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no. 49:37 Obviously at some point you can say Mara, it's... 49:53 It's better than at first. I'm going to show you the next. And you see, you're going to be independent. Independent never ends. Yeah, that's why I get a point out, Katara. I'm not saying they don't know how to say anything. But it's not, it's not. It's not. It's not. It's not. It's not. It's not. It's not. It's not. It's not. It's not. It's not. It's not. It's not. It's not. 50:22 Yes. 50:22 And now I have a company that goes over. 50:26 Maybe I invest five million. 50:30 Yeah. 50:30 Or PR. Maybe I'll rent it two years. Maybe I'll rent it two years. Maybe I'll rent it. Yeah. And I just know, any money I keep paying in all profit. Let's see. 50:49 So if I invest five meat, It's a risk, because once you get hurt, you get hurt, you get hurt, you get hurt, you get hurt, you get hurt, you get hurt, you get hurt, you get hurt, you get hurt, you get hurt, you get hurt, you get hurt, you get hurt, you get hurt, you get hurt, you get hurt, you get hurt, Maybe Aureen Wolf. 51:30 And such a lady geek. 51:33 It's like a hundred percent. Because it's like a hundred percent level. It's like a music video. It's like a music video. It's like a music video. It's like a music video. It's like a music video. It's like a music video. It's like a music video. 52:03 You're the police. 52:04 You're the police. 52:06 You're the police. You're the police. You're the police. 52:08 You're the police. You're the police. You're the police. You're the police. 52:12 You're the police. You're the police. You're the police. You're the police. You're the police. You're the police. You're the police. You're the police. 52:25 But if you think about it, you're going to have to pay for it. You're going to have to pay for it. You're going to have to pay for it. 52:33 You're going to have to pay for it. You're going to have to pay for it. You're going to have to pay for it. You're going to have to pay for it. You're going to have to pay for it. You're going to have to pay for it. 52:48 Mistake food, you understand? Because it's a good thing, it's a good thing. It's a good thing. It's a good thing. 52:52 Maybe it's because of the audience. Maybe it's because of the audience. Yeah. Yeah. 52:56 For me, it's a good thing. 53:17 but at the end he sacrificed to be better because the contractors who are not talented but talented fail 53:39 Because Babu is like, if I meet him, he's a good one. 53:43 He's a good one. 53:44 He's a good one, he's a good one, he's a good one, he's a good one. He's a good one, he's a good one. He's a good one, he's a good one. He's a good one, he's a good one. 54:08 I don't see Sjava leaning on Kabi record. I don't see Sjava leaning on Kabi record. Sjava leaning on Kabi. Sjava leaning on Kabi. 54:31 I remember, I don't remember the number, but that's the number of people. They are not working under incubation, but they are in incubation. 54:50 The record label, Leo, recruit. Leo, you're going to be a director from that. But my question is, you understand, and it is very slow, you say, we're going to have a townhouse, but as I'm saying, we're going to have a station here, because... 55:11 Some of us have been in the day five. We've been in the day five. We've been in the day five. We've been in the day five. We've been in the day five. We've been in the day five. We've been in the day five. We've been in the day five. We've been in the day five. We've been in the day five. We've been in the day five. We've been in the day five. We've been in the day five. 55:36 Yes, we can still fix it. One question. How sure are you because we were sure we were empty at that time? Okay. Good. Really sure, sure, sure. 56:04 Good! But for the fact that no one has come out of my social media, so shooting again. 56:09 I think they are still in the good book. You know, we need the time. What if that time doesn't come? And sometimes... 56:28 So, Rikiri... I understand what you're saying. I understand. Why don't you go to the city? No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no. 56:50 What is the process? 56:51 I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. 57:16 We have to deal with it. We have to deal with it. We have to deal with it. We have to deal with it. We have to deal with it. We have to deal with it. 57:24 We have to deal with it. 57:26 We have to deal with it. We have to deal with it. We have to deal with it. We have to deal with it. We have to deal with it. 57:48 To be honest, I think that the industry is going to be like a dollar, you know? I think it's going to be like a dollar, you know? I think it's going to be like a dollar, you know? I think it's going to be like a dollar, you know? 58:02 It's going to be like a dollar, you know? I think it's going to be like a dollar. 58:07 It's very difficult to maneuver in the industry, because you have a little capital at the end of the day. You need the majors. Yes, you do, but you have to work in the industry. You need the majors. 58:26 We don't have the bigger budgets. For example, if you want to check it out, it's only 50% of your son. 58:38 And yet sony owns how many percent we're in Australia, South Africa? 58:44 That's why you want to pass a seven to the motor field. 58:46 Yeah, no, I don't know. 58:48 So, now we have a solution, right? Because now... We have a company, a major record company, or maybe a record company under a major. 59:02 Are you a signer? Just no worry. Labor has a risk. Whatever you go back to the keeper, it's not guaranteed to go back to the keeper. 59:10 Exactly. 59:10 Who said we're not guaranteed to go back to the keeper at hand? 59:16 It's not guaranteed. Either move away from the game. Yeah, it's either you join the matrix. Yes, it's either you join the matrix. Yes, it's either you join the matrix. It's either you join the matrix. Yes, it's either you join the matrix. It's either you join the matrix. Yes, it's either you join the matrix. It's either you join the matrix. It's either you join the matrix. It's either you join the matrix. It's either you join the matrix. It's either you join the matrix. It's either you join the matrix. It's either you join the matrix. It's either you join the matrix. It's either you join the matrix. 59:34 It's either you join the matrix. It's either you join the matrix. It's either you join the matrix. It's either you join the matrix. It's either you join the matrix. It's either you join the matrix. It's either you join the matrix. It's either you join the matrix. It's either you join the matrix. It's 59:42 It's better to own 5% of maybe 20 million, then 100% of nothing. 60:05 100%. 60:06 Let's say, if you listen to music, you own 100%. I give you Kiwi. And then I tell you, it's not. You own 5%. 60:18 It was a deal, it was a deal, it was a deal. Maybe like Klaa MTN, it's a campaign, you know. But getting it to a 5M, on all 5% they are 5M. 60:28 So would you advise that artists are independent, assigned under majors? 60:33 I would like to say, because you can't do all those things. And again, that's why I can't keep working behavior. If let's say, you turn up a chair, no, no, no, no. 60:43 If you sign it, you have a risk. 60:45 I know that very well. I've seen it. 61:00 Did I do? Also, I'll post a comment on a new album coming. So, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, Just to be black. Just to be black. 61:31 Yeah. 61:31 I don't know. 61:32 I don't know. I don't know. 61:44 What happens? Can you tell us to slow down this thing? 61:47 I want to get you to experience it. I want to record it. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. 62:01 So behavior, it matters. It matters. 62:03 There is a reason to prove your behavior. 62:28 Matters. That's why I'm here. 62:29 I'm here. I'm here. I'm here. 62:30 That's why I'm here. 62:51 It changes the sense of tracing. 63:16 He's a real person, a personal life. 63:22 And that thing made him a star, a huge star. That is why he had Lonjenvich Umandoz. 63:26 Yeah. 63:28 So, you know, we're going to have to do something. Yes. We're going to have to do something. Yes. So, we're going to have to do something. We're going to have to do something. We're going to have to do something. Yes. 63:39 We're going to have to do something. 63:41 It happens, especially if you're a Muslim talent, you're a business. So, if you're a Muslim, you're a business, you're a business. 63:50 You're a business. You're a business. You're a business. You're a business. You're a business. You're a business. 64:09 Yeah, I mean, I have a lot of work that I understand in the industry business-wise. I mean, I have a lot of work. I have a lot of work. I have a lot of work. I have a lot of work. I have a lot of work. I have a lot of work. I have a lot of work. I have a lot of work. I have a lot of work. I have a lot of work. I have a lot of work. 64:36 Like it was very sensible. So we know everything, even in the string parts. Yeah. So I could say, hey, You don't want to break it. You don't want to break it. You don't want to break it. You don't want to break it. 65:10 Actually, 50%. Literally, so only 30% universal. Yeah, I checked those dates. 65:18 I wasn't aware of that. You were aware, yes. My man, I'm fan. And then... I lost my question, too bad. 65:24 Yeah, and then there's others. 65:29 Others, he is a single person. 65:32 Like that individual. If you don't know what to do, Salavant, you can't do it. I'm sure you know. I'm sorry. 65:49 What is it? What is it? What is it? What is it? What is it? It's part of the city. The music. There are major record companies, which is Sony Universal. 66:13 I wanted to be honest with you, Machibus. Hey. Yeah. 66:40 So I think I'm an artist. I think I'm an artist. I think I'm an artist. I think I'm an artist. I think I'm an artist. I think I'm an artist. 67:05 But it's a lot of people who don't have the talent. 67:07 They don't have the talent. They don't have the talent. They don't have the talent. They don't have the talent. They don't have the talent. They don't have the talent. They don't have the talent. They don't have the talent. 67:18 They don't have the talent. They don't have the talent. They don't have the talent. 67:31 Do you know how many companies signed back-to-back? That's great, Liz. They signed back-to-back. They signed back-to-back. They signed back-to-back. They signed back-to-back. They signed back-to-back. They signed back-to-back. They signed back-to-back. They signed back-to-back. 67:51 They signed back-to-back. They signed back-to-back. They signed back-to-back. They signed back-to-back. That's how it is. System later in the corner before CESAR, right? Exactly. 67:59 You can't pity. You can't do it. No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no. 68:25 If you have 2K, I'm going to TikTok. If you have 2K, I'm going to TikTok. If you have 2K, I'm going to live. More than 5,000 people are going to live. If you have 2K, I'm going to sign it. If you have 2K, I'm going to sign it. If you have 2K, I'm going to sign it. If you have 2K, I'm going to sign it. If you have 2K, I'm going to sign it. If you have 2K, I'm going to sign it. If you have 2K, I'm going to sign it. If you have 2K, I'm going to sign it. If you have 2K, I'm going to sign it. If you have 2K, I'm going to sign it. If you have 2K, I'm going to sign it. 68:55 If you can't see it, you can't see it. But there's a bigger man in the world. 69:02 Music-wise? Yeah, you need to cover the 30 percentage. 69:04 So, when you can't see it, you can't see it. So you can't see it. So you can't see it. How do you know? 69:21 It's fine. 69:23 But let's say when we're independent, no, it's a chargeable. 4, 3, 1, like wire wire, until you lose the taste. But this guy is a signer. Yeah. 100,000 within few months. 69:41 And then maybe contractors will pay after four years or three years. I'm going to pause. How are you going to eat? 69:49 I'm going to talk to you. I'm going to talk to you. 70:01 The TSC was on the other side, as he published. 70:28 I have a great chance to get out of here. That's why I am okay. Yeah. 70:32 But I have a great chance to get out of here. I have a great chance to get out of here. 70:37 I have a great chance to get out of here. I have a great chance to get out of here. I have a great chance to get out of here. I have a great chance to get out of here. I have a great chance to get out of here. 70:52 That was random, eh? 71:04 From music to Stugou. That was random. What's wrong with that? What's wrong with that? What's wrong with Stugou? What's wrong with Stugou? What's wrong with Stugou? What's wrong with Stugou? What's wrong with Stugou? 71:16 What's wrong with Stugou? What's wrong with Stugou? What's wrong with Stugou? 71:29 Who's going to do it? I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. 71:51 So, what I can do is to take you on the story. So, what I can do is to take you on the story. So, what I can do is to take you on the story. So, what I can do is to take you on the story. So, what I can do is to take you on the story. 72:11 or something like that, or something like that, or something like that, or something like that. But then, that was my mistake, and my decision was because the way I made it, that was powerful. 72:27 The music was there. 72:28 The movement was there, I didn't know that. Yeah, it was powerful. But because the music was there, they were happy. 72:37 It's the same movement. 73:03 So, when I try to get out of here, I feel the way that I'm going to get out of here. I'm going to get out of here. I'm going to get out of here. Where else, I'm going to get out of here. So, that's why I'm going to get out of here. But if I'm going to get out of here, I'm going to get out of here. I'm going to get out of here. So, I'm going to get out of here. I'm going to get out of here. But I'm going to get out of here. 73:33 So in terms of profit share in Punjab, you could have done it better within whoever you sign in. 73:57 What do you mean? So what do you mean in terms of business? What do you mean in terms of business? 74:03 Okay, in terms of business-wise, what do you mean? 74:08 There was a time when I was a kid, I was a kid, I was a kid, I was a kid. So I was a kid, I was a kid, I was a kid, I was a kid, I was a kid, I was a kid, I was a kid, I was a kid, I was a kid, I was a kid, I was a kid. 74:29 Why are you talking to us? Because obviously we are talking to you. 74:34 We are talking about neutrality. 74:35 We are talking about neutrality. We are talking about the mastermind. You are leading from behind. Yes, but we are talking about neutrality. 74:50 So, I couldn't say, I don't know what to do. I don't know what to do. I don't know what to do. I don't know what to do. I don't know what to do. 75:17 If you have a contract, you have a contract, you have a contract, you have a contract. For instance, for example, if you have a contract, you have a contract, you have a contract, you have a contract, you have a contract, you have a contract. For instance, for example, if you have a contract, you have a contract, you have a contract, you have a contract, you have a contract, you have a contract, you have a contract, you have a contract, you have a contract, you have a contract, you have a contract, you have a contract, you have a contract, you have a contract, you have a contract, you have a contract, you have a contract, you have a contract, you have a contract, you have a contract, you have a contract, you have a contract, you have a contract, you have a contract, you have a contract, you have a contract, you have a contract, you have a contract, you have a contract, you have a contract, you have a contract, you have a contract Like when you approach, I teach you to sing a song for you. 75:49 And then when I sing a song for you, I'm going to shoot the music video. Because I was not signed under anyone. I was going to say, yes, I'm alive. I'm not going to be able to do anything. So when I'm going to shoot the music video, I'm going to shoot the music video. I'm going to shoot the music video. 76:12 Young-Tol, you can't get 100, but you can't get 50. 76:18 Young-Tol, and then... You can't get 100. You can't get 100. 76:23 You can't get 100. You can't get 100. You can't get 100. You can't get 100. You can't get 100. You can't get 100. 76:28 You can't get 100. You can't get 100. You can't get 100. 76:40 Shaili music video for free. 76:43 But singing part of the song, Guma Royalty. Wow. Yes, there's a deal. 76:53 How for the music video? 100%. 76:57 Your song, maybe you spend like of two clips to make. Because when I was a producer, I would say, I would say, I would say, I would say, I would say, I would say, I would say, I would say, I would say, I would say, It took you like half a day to make. So I figured you'd send this thing, start up 50-50. 77:26 There's a deal. It's a legal deal. So you're a flopper guy, you're a flopper guy. 77:34 No, I don't want to fly because... I don't want to fly. I don't want to fly. I don't want to fly. I don't want to fly. But I have to learn the hard way. But I don't want to fly. I don't want to fly. I don't want to fly. So I can fly. I can fly. I can fly. I can fly. I can fly. I can fly. I can fly. 77:54 I can fly. I can fly. 77:57 I can fly. I can fly. 78:03 Hey, what's going on? 78:06 Registration. Registration. What's going on? I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. 78:17 I don't know. I don't know. 78:18 It's not a problem either. It's because of some of the things I've done. Yeah. 78:24 Yes, I think it's a good thing. 78:27 But why do you think about it? I don't know how to do it, but I don't know how to do it. I don't know how to do it. I don't know how to do it. I don't know how to do it. I don't know how to do it. I don't know how to do it. I don't know how to do it. 78:49 Why do you have a royalty before the game? Exactly. Why do you have a PCA? I mean, if you have a PCA on the day, you can learn. Yes, you can learn. Because if you have a royalty, you can come back. Exactly. Why do you have a PCA? 79:08 I hope you have a PCA. 79:09 No, because sometimes... What else? It's not there. Let's say Pina, it's like 100%. So it's like 99%, right? 79:34 And some of them represent them. Okay. Yeah. And then some of them represent them. And then some of them represent them. Because they represent them. 79:45 Okay. 79:45 And then they represent the music. Yes, it's a cellar. 79:51 No, it's an advert. It's an advert. It's an advert. 79:54 It's an advert. It's an advert. It's an advert. It's an advert. It's an advert. It's an advert. It's an advert. It's an advert. It's an advert. It's an advert. It's an advert. It's an advert. It's an advert. It's an advert. 80:07 It's an advert. 80:17 It's amazing. 66% of the territories, there are a lot of them. There's a lot of them. There's a lot of them. There's a lot of them. There's a lot of them. There's a lot of them. There's a lot of them. 80:35 And then the publisher. When you're in S.A.L.A., I'm trying to make an agreement. How bad? How about Vision Active? 80:43 Vision Music? Yeah. 80:44 When you're in S.A.L.A., you're in S.A.L.A., you're in S.A.L.A., you're in S.A.L.A., you're in S.A.L.A., you're in S.A.L.A., you're in S.A.L.A., you're in S.A.L.A., you're in S.A.L.A., you're in S.A.L.A., you're in S.A.L.A., you're in S.A.L.A. 80:57 You're in S.A.L.A. 80:58 You're in S.A.L.A. You're in S.A.L.A. You're in S.A.L.A. You're in S.A.L. 81:04 But then if there's someone, I think it's good. 81:21 You pay for it. You pay for it. You pay for it. You pay for it. 81:26 You pay for it. 81:27 Why are you paying for it? Because you pay for it. You pay for it. You pay for it. You pay for it. You pay for it. You pay for it. You pay for it. You pay for it. You pay for it. You pay for it. 81:45 Mausa la sopega kut sese nzema li ini, 100,000, we na hui 2%, nahi 2,000 yako. We na hui 30%, nahi 30,000 yako. 81:56 Why mele siti mapoza? Hambo nigabo shaba. 82:00 In some of them, they blame me. They blame me. They blame me. They blame me. They blame me. They blame me. They blame me. They blame me. They blame me. They blame me. They blame me. They blame me. They blame me. They blame me. They blame me. They blame me. They blame me. 82:30 That's the highest amount. 120,000. 120,000. Spirit. 82:31 To be honest, 10,000 is the highest amount. 82:46 I know with the topic be interesting and Bensafu Nunguza more famachita, but pasteling is cut. Shabba Sanu's kapi le fandak. 83:01 Thank you so much for being here, Chaka. Thank you, Chaka. Thank you, Chaka. Thank you, Chaka. Thank you, Chaka. Thank you, Chaka. Thank you, Chaka. Thank you, Chaka. Thank you, Chaka. Thank you, Chaka. Thank you, Chaka. Thank you, Chaka. Thank you, Chaka. Thank you, Chaka. Thank you, Chaka. Thank you, Chaka. Thank you, Chaka. 83:15 Thank you, Chaka. Thank you, Chaka. Thank you, Chaka. Thank you, Chaka. Thank you, Chaka. Thank you, Chaka. Thank you, Chaka. Thank you, Chaka. Thank you, Chaka. Thank you, Chaka. Thank you, Chaka. Thank you, Chaka. Thank you, Chaka. 83:24 Thank you, Chaka. Thank you, Chaka. Thank you, Chaka. Thank you, Chaka. Thank you, Chaka. Thank you, Chaka. What's up? What's up? What's up? What's up?